Algernon Charles Swinburne (1837-1909)
From Sonnets of English Dramatic Poets (1590-1650) (1882)
Sonnet for a Picture
That nose is out of drawing. With a gasp,
She pants upon the passionate lips that ache
With the red drain of her own mouth, and make
A monochord of colour. Like an asp,
One lithe lock wriggles in his rutilant grasp.
Her bosom is an oven of myrrh, to bake
Love's white warm shewbread to a browner cake.
The lock his fingers clench has burst its hasp.
The legs are absolutely abominable.
Ah! what keen overgust of wild-eyed woes
Flags in that bosom, flushes in that nose?
Nay! Death sets riddles for desire to spell,
Responsive. What red hem earth's passion sews,
But may be ravenously untripped in hell?
Love and Sleep
Lying asleep between the strokes of night
I saw my love lean over my sad bed,
Pale as the duskiest lily's leaf or head,
Smooth-skinned and dark, with bare throat made to bite,
Too wan for blushing and too warm for white,
But perfect-colored without white or red.
And her lips opened amorously, and said--
I wist not what, saving one word--Delight,
And all her face was honey to my mouth,
And all her body pasture to mine eyes;
The long lithe arms and hotter hands than fire,
The quivering flanks, hair smelling of the south,
The bright light feet, the splendid supple thighs
And glittering eyelids of my soul's desire.
Hope and Fear
Beneath the shadow of dawn's aërial cope,
With eyes enkindled as the sun's own sphere,
Hope from the front of youth in godlike cheer
Looks Godward, past the shades where blind men grope
Round the dark door that prayers nor dreams can ope,
And makes for joy the very darkness dear
That gives her wide wings play; nor dreams that fear
At noon may rise and pierce the heart of hope.
Then, when the soul leaves off to dream and yearn,
May truth first purge her eyesight to discern
What, once being known, leaves time no power to appall;
Till yoiuth at last, ere yet youth be not, learn
The kind wise word that falls from years that fall--
"Hope thou not much, and fear thou not at all."
On the Deaths of Thomas Carlyle and George Eliot
Two souls diverse out of our human sight
Pass, followed one with love and each with wonder:
The stormy sophist with his mouth of thunder,
Clothed with loud words and mantled in the might
Of darkness and magnificence of night;
And one whose eye could smite the night in sunder,
Searching if light or no light were thereunder,
And found in love of loving-kindness light.
Duty divine and Thought with eyes of fire,
Still following Righteousness with deep desire,
Shone sole and stern before her and above--
Sure stars and sole to steer by; but more sweet
Shone lower the loveliest lamp for earthly feet--
The light of little children, and their love.
Chief in thy generation born of men,
Whom English praise acclaimed as English-born,
With eyes that matched the worldwide eyes of morn
For gleam of tears or laughter, tenderest then
When thoughts of children warmed their light, or when
Reverence of age with love and labor worn,
Or godlike pity fired with godlike scorn,
Shot through them flame that winged thy swift live pen:
Where stars and suns that we behold not burn,
Higher even thatn here, though highest was here thy place,
Love sees thy spirit laugh and speak and shine
With Shakespeare and the soft bright sould of Sterne
And Fielding's kindliest might and Goldsmith's grace;
Scarce one more loved or worthier love than thine.
On the Russian Persecution of the Jews
(Written June, 1882)
O son of man, by lying tongues adored,
By slaughterous hands of slaves with feet red-shod
In carnage deep as ever Christian trod
Profaned with prayer and sacrifice abhorred
And incense from the trembling tyrant's horde,
Brute worshippers of wielders of the rod,
Most murderous even of all that call thee God,
Most treacherous even that ever called thee Lord;--
Face loved of little children long ago,
Head hated of the priests and rulers then,
If thou see this, or hear these hounds of thine
Run ravening as the Gadarean swine,
Say, was not this thy Passion to foreknow
In death's worst hour the works of Christian men?
Crowned, girdled, garbed and shod with light and fire,
Son first-born of the morning, sovereign star!
Soul nearest ours of all, that wert most far,
Most far off in the abysm of time, thy lyre
Hung highest above the dawn-enkindled quire
Where all ye sang together, all that are,
And all the starry songs behind thy car
Rang sequence, all our souls acclaim thee sire.
"If all the pens that ever poets held
Had fed the feeling of their masters' thoughts,"
And as with rush of hurtling chariots
The flight of all their spirits were impelled
Toward one great end, thy glory--nay, not then,
Not yet might'st thou be praised enough of men.
Not if men's tongues and angels' all in one
Spake, might the word be said that might speak thee.
Streams, winds, woods, flowers, fields, mountains, yea, the sea,
What power is in them all to praise the sun?
His praise is this--he can be praised of none.
Man, woman, child, praise God for him; but he
Exults not to be worshiped, but to be.
He is; and, being, beholds his work well done.
All joy, all glory, all sorrow, all strength, all mirth,
Are his; without him, day were night on earth.
Time knows not his from time's own period.
All lutes, all harps, all viols, all flutes, all lyres,
Fall dumb before him ere one string suspires.
All stars are angels; but the sun is God.
Broad-based, broad-fronted, bounteous, multiform,
With many a valley impleached with ivy and vine,
Wherein the springs of all the streams run wine,
And many a crag full-faced against the storm,
The mountain where thy Muse's feet made warm
Those lawns that reveled with her dance divine
Shines yet with fire as it was wont to shine
From tossing torches round the dance aswarm.
Nor less, high-stationed on the gray grave heights,
High-thoughted seers with heaven's heart-kindling lights
Hold converse; and the herd of meaner things
Knows or by fiery scourge or fiery shaft
When wrath on thy broad brows has risen, and laughed,
Darkening thy soul with shadow of thunderous wings.
Beaumont and Fletcher
An hour ere sudden sunset fired the west,
Arose two stars upon the pale deep east.
The hall of heaven was clear for night's high feast,
Yet was not yet day's fiery heart at rest.
Love leapt up from his mother's burning breast
To see those warm twin lights, as day decreased,
Wax wider, till when all the sun had ceased,
As suns they shone from evening's kindled crest.
Across them and between, a quickening fire,
Flamed Venus, laughing with appeased desire.
Their dawn, scarce lovelier for the gleam of tears,
Filled half the hollow shell 'twixt heaven and earth
With sound like moonlight, mingling moan and mirth,
Which rings and glitters down the darkling years.
Hew hard the marble from the mountain's heart
Where hardest night holds fast in iron gloom
Gems brighter than an April dawn in bloom,
That his Memnonian likeness thence may start
Revealed, whose hand with high funereal art
Carved night, and chiselled shadow: be the tomb
That speaks him famous graven with signs of doom
Intrenched inevitably in lines athwart,
As on some thunder-blasted Titan's brow
His record of rebellion. Not the day
Shall strike forth music from so stern a chord,
Touching this marble: darkness, none knows how,
And stars impenetrable of midnight, may
So looms the likeness of thy soul, John Ford.
Thunder: the flesh quails, and the soul bows down.
Night: east, west, south, and northward, very night.
Star upon struggling star strives into sight,
Star after shuddering star the deep storms drown.
The very throne of night, her very crown,
A man lays hand on, and usurps her right.
Song from the highest of heaven's imperious height
Shoots, as a fire to smite some towering town.
Rage, anguish, harrowing fear, heart-crazing crime,
Make monstrous all the murderous face of Time
Shown in the spheral orbit of a glass
Revolving. Earth cries out from all her graves.
Frail, on frail rafts, across wide-wallowing waves,
Shapes here and there of child and mother pass.
Greene, garlanded with February's few flowers
Ere March came in with Marlowe's rapturous rage;
Peele, from whose hand the sweet white locks of age
Took the mild chaplet woven of honored hours;
Nash, laughing hard; Lodge, flushed from lyric bowers;
And Lilly, a goldfinch in a twisted cage
Fed by some gay great lady's pettish page
Till short sweet songs gush clear like short spring showers;
Kid, whose grim sport still gamboled over graves;
And Chettle, in whose fresh funereal verse
Weeps Marian yet on Robin's wildwood hearse;
Cooke, whose light boat of song one soft breath saves,
Sighed from a maiden's amorous mouth averse;
Live likewise ye--Time takes not you for slaves.